No one (else) liked the noise I produced, a piece called Wright Field Fast Forward to Texas so I reused the basic material, refining it and extending it to this work. The main driver is the Lorentz equation with its unpredicatable switches between two cycles and the interesting scale from Gary Morrison. The first section is largely the Wright Field piece, which is repeated with a sine wave. In the last section a reverberation from a Stockholm underground station was used. The name was the nickname by my wife for the dripping sounds.